Tag Archives: DTV

DTV Wonders: An American Tail III


 

Image result for an american tail the treasure of manhattan island vhs box

First thing is this could be more accurately titled An American Tail I 1/2, as they made the very understandable choice to be a sequel in New York instead of the Wild West.  Fievel’s American Tails was a TV show that came out to directly after the second movie, and it stank.  Also the first film made considerable more money despite four years of inflation and renewed interest in animation, so it takes place in New York and is modeled after the first film.   Both the franchises’s wiki and TV tropes says this movie recons the second film, but that is false.  The second movie started with Fievel dreaming of being in the Wild West and being a famous gunfighter, which is way more accurate to the opening dream of the second film than the actual second movie.  That gives it a connection to both films.  It is directed by Larry Latham (nothing else important) and written by Len Uhley (writer of The Land Before Time Seven).

I heard (with an unreliable source) that The Land Before Time Six The Secret of Saurus Rock was supposed to be the last Land Before Time film, and both an American Tail DTV sequels came out with two Alvin and Chipmunk movies cam out within two years.  Considering they went back to The Land Before Time so quickly after these came out I think that production liked making Land Before Time films more.

The commercials are very similar to those in The Land Before Time Six only it has one for October Sky.

Tail 3.png                                 The first song is “We Live in Manhattan,” and this song actually really sticks out for the studio.  Unlike The Land Before Time, An American Tail is a musical, in fact this film got accused of using too few songs.  Also this is a crowd song, and I just counted that four of the forty-four songs in The Land Before Time franchise are crowd songs.  The song itself is really forgettable unless the viewer already knows the plot, as they sing about how happy they are to work, which will be contradicted later.  When it cuts to the family more good news, they got most of the actors back.  Papa, Mama, Tony, and Tiger all have heir actors back leaving Fievel and Tanya as the only exceptions.  This is Tanya’s third actress, so it is not like that is new.  For Fievel they cast Littlefoot’s singing voice from the fifth film and full voice all the way to Nine, Thomas Dekker.  That does not make it a good choice, as Littlefoot like Dekker’s voice is less assertive and more meek.  Ironically Dekker’s Littlefoot in the sixth film is more like Fievel than he is in the next An American Tail film.  The basic plot is first revealed that the working conditions are too hard (they had fourteen hour days then), and Papa is overworked along with most of the blue collar workers.  This scene mainly works due to how it obviously does take a toll on the family, yet they are still proud Americans due to America’s many chances to get ahead.

I love America.

If someone is not an American I think they will not care for this much mostly because it is very American dream focused and loses the parts from the first film about being foreign immigrants.  Also I keep unintentionally playing the game of guessing whether the music is from the first film (“Somewhere out there” plays frequently) or which Land Before Time movie.         

Tail 4

Fievel, Tony, and Tiger then find a treasure map (and remind me that the old subways were powered by a fan).  Some fans have wondered why Tony is hanging out with little Fievel, but I always just presumed that saving the mouse population of a city brings very good friendship bonds.  They bring it to Dr. Dithering who realizes it is from the Delaware Indians.  His assistant is a fat mouse named Scuttlebutt.  Why do you love names that are so hard to spell Uhley?  First Pterano and Sierra and now these two.  Scuttlebutt’s grumpiness is pretty funny, and they decide to go on a treasure hunt for whatever is down there, but Tony quickly realizes he is late for work, and the main villains, his and Papa’s bosses, are introduced.

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The lesser villains want to fire him, but the main one (middle of course) wants to keep him around thinking it will make him the definition of punctual if he gets to keep him job.  Yes robber barons are the villains, and they are mice, not cats.  Earlier mice were immigrants and cats were established Americans, so I guess with the old rich gone thanks to Fievel these guys took over.   It is later established they also took a week’s pay from him, and then shown that they own the police and Scuttlebutt.  Also they have an overly long scene about getting Mama to let Fievel go look for the treasure.  Thus Tiger, Fievel, Dithering, Tony, and Scuttlebutt are going.

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No wonder he hates his boss if that is what he constantly has to do.  At least Fievel constantly encourages him.  They then get stuck in an exciting and comedic booby trap scene, which is probably too cartoony.  The best part is Scuttlebutt giving his boss all the supplies and leaving until he realizes the supplies are a great shield.

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They eventually get through and find an underground Indian civilization.  Based on the pictures I just saw of the Delaware tribes these clothes look accurate except for the feathers.  The chief discusses how they hid to avoid the upper worlds greed from the Europeans, and in a nice touch Scuttlebutt yawns throughout it.  One criticized aspect is that Tony was falling in love with Bridget in one, and in a cameo he was showed married to her in two.  In this film he flirts with Cholena, the chief’s daughter.  I explain this as he temporarily broke up with Bridget, and then they got back together.  The Indians give them a feast, but Scuttlebutt is caught stealing food.  At least steal potentially valuable items you idiot thief.  Oddly if Scutlebutt was not prone to dumb mistakes and pushed around so much he could be a great villain.  This leaves Fievel turning on his American ways considering them to be centered on greed.  Cholena counters that the American Dream is great despite some not “taking it to heart.”  The theme is advancing your own life is good, as long as it does not get in the way of others living their life.  It is very basic to me, but definitely something everyone I know has problems with acting on.

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This leads to the film’s only remembered song “Anywhere in your Dreams.”  It is better than any from two, but inferior to all songs from one.  It does have very good visuals, and the singing voices are very good.  Fievel and Cholena come up with a plan for Cholena to come with them to the surface to see if it is kind enough for the Delaware tribe to return.  Unfortunately Fievel tempts fate by asking “besides, what can happen?”

First problem is the main villains now have a complete monopoly, and when a worker speaks out against the new longer hours he is beaten by the police.  This movie seems to have too much plot.  Papa speaks against revolting and villains somehow interpret it as being against them.  Yeah, how did these idiots get a monopoly?  Well after showing Cholena enjoying New York dressed in some of Tanya’s clothes the main five villains are discussing plans as Scuttlebutt (clearly their second most useful member) told them about the Indians, but the police chief is certain his little army would beat them if they ever invaded, but absolute main villain has a plan that is actually good.  Make everyone think they are being invaded, and they will be set up as the heroes who discovered and stopped it.  Again teaching children that people in authority are likely evil is a good message they have to learn eventually, but the first film already taught it.  They then sing a poor villain song.  William Anderson wrote the first song as well, and he did not do a good job.  They tell the workers about in an invasion from within New York, a young female spying on them, and traitors in their midst.  They also appeal to it being their American duty, and the workers are off.  The police lead them and hand out weapons.  They also go after Papa, as Scuttlebutt told them he is harboring Cholena.

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Well Fievel got his escape ability from somewhere, and Papa gets away.

Dr. Dithering is captured and surprised when Scuttlebutt does not help him.  Next time carry some of the load you bad boss.  Papa reunites with Mama and Tanya saying he will get help, and since help is not Gussie I assume she died between movies.  Cholena is caught, but Fievel and Tony save her by… Smashing a window on the cops.  More on that later.

Scuttlebutt and the Robber Barons put Dithering on a trial to be made guilty, but Tiger (the help) saves him, and blows away members of the mob.  This could be seen as contradicting Tiger’s cowardice in Two, except standing up to cats is no where near as heroic as standing up to mice, and Two just made that character flaw up anyway.  The only problem is Tiger barks at first, which is just a terrible continuity nod.  Papa then turns the workers on the Robber Barons, by pointing out how they have always been their enemies and are now trying to kill dithering.  After escaping the villains send the police to destroy the tribe worried they will side with the workers in an uprising, and Scuttlebutt is forced with them as a guide, and Scuttlebutt and the chief are very funny together.

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Fievel, Tanya, and Tony are taking Cholena back underground, and Fievel always being the hero finds out how to skip the booby traps.  The police go though them, but all live.  These traps are nearly useless.  The chief is certain they will die, but through Fievel’s plan of throwing food at them the police all run off but the chief and Scuttlebutt who is being held back.  Despite sounding dumb the food is nearly as big as the mice are, they are worn out, and they do not know the Indians have no normal weapons.  New plan is Fievel, Tony, and Tanya will blow up the pathway, as the Indians can still return in a future date with other secret routes.  They have little Fievel, nearly adult Tony, and in between their ages Tanya, so naturally little Fievel is given the job of using the match.  Well, Scuttlebutt and the chief show up.  Scuttlebutt is overweight and weak, while the chief is incredibly muscular so naturally Tanya and Tony double team the non threat leaving Fievel to face the powerhouse.  It is no harder than facing Warren in the first film.  In a fine fight scene Fievel beats him hard enough to regain the match and throw it at the fuse presumably killing the chief and Scuttlebutt in the explosion, which nearly kills Fievel.  A universal workers’ strike organized by Papa and Tiger taking over as police ruin the Robber Baron’s power.

This is too comedic of a tone for its dark plot, but at least it has some good comedy and a child friendly lesson on the good and bad of the American dream and economics that only has boring parts in the beginning along with a complex plot that always has something going at multiple angles.  It is not as good as The Land Before Time II.  It has inferior designs due to no dinosaurs and well inferior songs than what The Land Before Time franchise had been giving.  I think it is around the quality of the eighth film in the series.  On the bright side it does not feel like a Disney, but instead a Bluth like Universal Cartoon Studios film helping the studio to have an identity beyond The Land Before Time.

 

 

 

 

 

 

 

 

 

DTV Wonders: Scooby Doo on Zombie Island

Zombie Island

The Scooby-Doo franchise looked to be nearly dead, and then the undead brought it back to life literally.  It was so good the nostalgia for zombies is still going.  The promise of real monsters was too much for my family to pass up and this is normally considered the best of the franchise.  We watched it a few years after it came out and, it was terror time again.

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The beginning is very good, as it feels like Scooby-doo with the slapstick and all the characters being true to their personalities,  while introducing the darker atmosphere.  It also does some fourth wall breaking.  Since the recent serieses have normally not had the entire gang together (or made them children) the gang starts having gone their separate ways (done much better than in the live-action movie).  They also get back together quickly.  Does it hold up today?  Part of its importance is giving Fred, the generic guy, a personality.  The recent series, Mystery Incorporated, did that making it seem unnecessary.  It does help show what Daphne will be like this film and give the audience a chance to get used to the new voices.  It also helps with the atmosphere of legit friendship between the gang.  Something that direct-to-videos often excel at.

We then get a good reminder of the usual formula, which helps the climax of the film and will potentially be dull.  It is to a notably exciting montage, but keeping it short and the good darker animation keeps it interesting enough.

One thing this does better that anything is showing Louisiana well (more on this when I get to season 16 of Arthur).  For one we do not celebrate Mardi Gras every day, and it is not shown here.  There are not alligators in the city.  Our accents are not impossible to understand.  We call it New Orle-ans not New Orleenes.  I am pretty sure the writers had been to Louisiana.  Daphne is annoyed that no monsters are real.  She wants a new challenge.

Zombie Island

A local, Lena, then tells them about an island with a real pirate ghost.  She offers to take them there, and Fred wants to go, as he has an instant crush on her and wants to find the guy in the mask.  Daphne wants to go for the chance at a real haunted house.  I think Velma mostly wants to solve another mystery.  They go by ferry where to help add to the more dark mood Shaggy and Scooby are nearly eaten by alligators.  Who saves them?

Zombie Island

He instantly demands everyone else leave.  He growls everything he says, has Mark Hamill’s voice.  He is a hunter, a typical acceptable target, and he looks creepy.  Contrary to what the live action movie said the creepy guy was almost never the villain on the original show.  They were the red herring, and when I saw this at four years old I knew he was the red herring.  I also remembered that since the monsters are going to be real then it must be that no human is the villain.  Today I would have not thought that due to how many characters are introduced, but my four year old mind was not that genre savvy.  After that we are introduced to Beau and Simone.  Beau is also like a red herring but I knew for two reasons why he is not the villain.  He is far too handsome and Velma and Fred suspect him too much.  Simone is clearly the victim who needs help.  I forgot those people were often the villain in the original show.

Simone at first seems to dislike the gang, but she is clearly more receptive when she learns they are interested in the hauntings.  Time to discuss the comic relief antics.  In a few later DTV films, What’s New Scooby-Doo, and Mystery Incorporated Scooby and Shaggy’s antics fit into the plot very well.  Here some are fun, but they mostly distract from the plot.  I am amazed the run time is only 77 minutes with all of them.  Still, it is a powerful scene when they are interrupted by a sword drawing “get out.  beware.”

Image result for scooby-doo on zombie island beware

Rewatch perspective:  Why not write “Beware, your hosts and ferry driver are human sacrificing super strong cat creatures.  Flee and steal some way home.  Take the gardener with you preferably.”  In its defense they probably assume their actual method will be more effective, as they do not know how skeptical of real monsters they are.

The scene is always quite freaky as new words appear in between shots, the music, the characters going from in control to having no idea what is happening.

Zombie Island

Fred is still incredibly convinced it is a hologram (that only appears on tapes instead of regular life).  Daphne thinks it is real, and she wants Fred to consider it.  Velma seems to think it is something she will figure out later, and Shaggy and Scooby think it is an excuse for a picnic.  Until they find Morgan  Moonscar’s ghost as a zombie.

This is quite the frightening image.  The characters move slow to add to the suspense, but the villain does not seem slow.  The fright and confusion from Shaggy and Scooby is way more than I had ever seen before.

Rewatch bonus:  Normally the ghosts are supposedly not trying to hurt them clearly are. Here he has a cutlass, yet he never strikes with it, and it quickly disappears.  Even better in the rewatch what previously was just scary is now scary and sad.  His eyes in the above picture look angry, but that is because he is fighting the villains to save the gang.  He looks more sad and in desperate need of help when he first shows up.

They run into Beau whom Velma is now deeply suspecting due to him always appearing and reapearing in accordance with the zombes.  It actually comes off as Velma being over dramatic.

This film relies on the big moments over being consistently good.  The scenes that build up to bigger events do not need to be good in these types of movies, and one of the biggest scenes is where more zombies come.

 

Zombie Island

These zombies are full of body horror.  One eve appears to be a pregnant women.  They all look different.  I knew when watching this it would have real monsters, but this is far more scary than I suspected.  Then Fred rips one of their heads off to unmask it only to have a headless creature put its still moving head back on.  He is still in denial, but now a far less honest one. We then get to the chase to the song, “Terror Time Again.”  It is woderful and really develops a style of fear.  Besides “All Dogs go to Heaven” I have never seen a film this scary and it just gets scarier.  This is even scarier than Mystery Incorporated.

After all this Scooby and Shaggy are still running for their lives.  Velma, Fred, Daphne, and Beau flee to the house.  Velma still suspects Beau.  Fred is now speechless.  Daphne knows no one will believe them.  Beau is mad to be a suspect, but now more upset.  According to Lena, Simone has been captured and…

One line by Daphne is “This is more haunted stuff than I really wanted.”  The entire audience agrees.  It turns out Lena and Simone are cat creatures who need to make human sacrifices to stay alive, as they have done for the past 200 years, putting this movies death count at well over two hundred thirty people.

Image result for scooby-doo on zombie island cat creatures vs zombies
If this is Uncle Beauregard it is like my family reunions. 

The climax is just amazing.  It has zombies saving the gang on multiple occasions.  The comedy helps the drama instead of distracting from it.  It is exciting and we get to root for the previous red herring villains, which would be incredibly fun if all the horror, fridge horror, and plots did not overshadow it making it feel like actually being there.  It also has the sweet ending where a Confederate Zombie stays just long enough to thank Scooby-Doo.  The only problem is the resolution is too quick, but that helps make the zombies responsible for saving the day.

This film has a few methods I do not like such as relying on the big scenes rather than making the entire thing great.  It also has mood problems, but other than that it is great.  The acting is  good.  The animation is very good for the story, the plot is wonderfully complex.  The characters are very good.  The idea is something everyone wanted to see, and it gave us way more than the audience thought they wanted to see.  It is a very good film that revived a franchise.