Category Archives: Warner Bros

DTV Wonders: Scooby-Doo and the Alien Invaders

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This is the third Scooby-Doo Direct-to-video film, and like the early ones I watched it many times thanks to blockbuster.  The first four do stand out for a few reasons.  They normally make call backs to each other and have a darker tone with real monsters.

It opens with a reprise of the Star Trek theme, and it is surprisingly dull (the only one of the four with a dull opening).  The opening feels way longer than it is.  The most interesting thing about the beginning is Shaggy is driving The Mystery Machine.

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A spaceship thing chases them off the road, and The Mystery Machine is in need of repair.  Velma, Fred, and Daphne go to a town, while Shaggy and Scooby guard The Mystery Machine.  The two cowards are considerably braver here than usual being willing to be alone and do things later.  Apparently ghosts, cat creatures, and zombies have hardened them and eventually Shaggy will be beating up biker gangs (yes, that happens in a later movie).  They find a jackalope, and  it steals their only Scooby snack.  They acknowledge they are myths, and it is probably a fake made by a real estate scammer based on this franchise.  They chase it through a government fence and meet some aliens.

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The alien designs are very generic, but their brash demeaning attitude and the musical score makes up for that.  The chase scene is played with the original theme song, and it is a very good chase scene with plenty of Scooby-do humor, and they are back with the rest of Mystery Inc. in a diner.

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At the diner there are two employees who are red herrings with no real development and hardly any character.  They and red herring mechanic are not important.  They also meet Lester, who was supposedly abducted and is constantly saying the aliens are coming back to take over the world.  I like him.  He yells too much, as most conspiracy theorists are portrayed as doing, but he is also very kind, apologetic, and helpful, and his past warrants some shouting as he tries to save the planet.  Also it becomes clear that plenty of what he says is true and the false information comes from failing to deduce a Scooby-Doo hoax.  He talks about being in an alien lab, and then in a great piece the camera moves outside and nothing can be heard as Lester talks about being experimented on with everyone else looking terrified.  Everything is left open to the imagination.  In truth the villains (disguised as aliens) are experimenting on locals to scare them. They also smartly steal the cattle.  This forces businesses and people away.  Mystery Inc. sleeps in Lester’s house where they see his paintings are of the same ship they saw making them realize his words have some truth.  Lester tells them about the local scientists looking for alien life with signals and are funded by the government.  The town blames them for recent alien sightings.  Surprisingly Scooby and Shaggy happily sleep on the roof where everything is more dangerous and vulnerable to alien abductions.  In the past they would have slept under the table just where it is safe.  Then again the monsters always got inside, so they might as well enjoy it under the stars.S5.png

Predictably Shaggy and Scooby are abducted and being interrogated, and it is one of the best scenes of the film.  The music gives a dark and dangerous tone, despite their comedic whines of tasting bad.  Fortunately they are too kooky to torture and Scooby’s tale is not bound (the restraints were made for humans, and his tail frees them.  Unfortunately they are captured again and the scene just ends.  Apparently the fake aliens (a third was introduced) then put them in the desert to help scare away other people.

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They are awakened by love interests Crystal (Human) and Amber (dog).  They are wildlife photographers, and when Shaggy mentions the jackalope and aliens they want pictures.  They are actually aliens trying to find out what these other “aliens” are doing as revealed later.

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Shaggy even sings (in his head) about his love for her in “Oh Groovy.”  It fits him so well, and its images are funny like the ghost wondering why Shaggy just left Mystery Inc.  Shaggy and Scooby even try self improvement by combing hair and tucking in shirts.  They meet one of the villains and scientists looking for aliens, Max.  They are the only group with at least three members.  Besides Max they are Steve (Mark Hamill voices him and it is uncecognizable from most of his character voices) and Laura.  They need a suspiciously high amount of oil that does even work with their equipment and have mud all over their shoes despite working in a clean room.  With them Velma, Fred, and Daphne tour the facility.  They also say the government sent an investigative team (actually sent by them to keep people out).  After leaving Fred tries to get some suspicion on Lester for having Green paint, despite him being a painter.

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Show some gratitude Fred.

Figuring the mud came from the gorge they go there.  They find a cave and the same oil cans Max bought earlier.  Apparently the villains really need to invest in trash cans or something to make the place less obvious. Put some alien technology around so visitors think aliens are mining.  Surprisingly they also find a gold mine.

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In the meantime the lovebirds look for the aliens and are chased away by two fake government agents telling them to leave.  Shaggy and Scooby also notice that Crystal’s camera is extremely high tech. Crystal insists on going back claiming she is a government agent along with Amber. They find a cave and Scooby impersonates a rattle snake to chase away the guards.  They also find the gold.  This leads to the three aliens chasing all seven of the eight main heroes (minus Lester) and the guards join in revealing they work for them  (should have given them alien costumes too to help the charade).  For the chase scene “The Aliens are Here” is played.  The chase songs are normally loud and exciting, but this one is different. It is low, soft, and dark.  This is really good.  It ends with Velma, Daphne, and Fred caught in a net and the guards chasing the couples off a cliff. The guards chase and Velma calls one alien “Steve.”

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Not much a mystery, and thankfully it is not the real ending twist.  They are doing it for the gold and they need to smuggle it out of government property.  Immediately after explaining Steve says they are about to kill them.  Then it cuts to the guards being ready to throw Shaggy, Scooby, Crystal, and Amber off a huge ravine.  These villains are really murderous.  Supposedly this is more light than the other three early DTV Scooby movies, but with murderous villains like this, a good man losing his mind, a basic plot that has likely been done successfully (without fake monsters), and all the plot twists later I think this is besides Zombie Island the darkest one.

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Finally, I got to the most memorable scene.  When Scooby and Shaggy try to scare off the guards by using air punches Amber and Crystal reveal themselves to the guards as aliens and chase them away.  I remembered almost everything from over a decade ago, the slow walk of the guards, Amber, and Crystal looking at each other with concern, and the big drop behind them.  Granted I remembered it happening with thirty, not seventeen, minutes left, and I was one hundred percent sure it took place in daylight outside the cave, so I misremembered some details.  There is some foreshadowing like how all the alien videos of Earth are from the 1960s, so Crystal looks like she is from them and her high tech camera.  What really makes it work is how it changes the tropes of the darker Scooby films.  Instead of a real monster fighting Mystery Inc. like in the last two and Cyber Chase, a real monster is saving them.  It is no where near the twist of Zombie Island, but it is quite the scene.

They change back and the guards’ claims of aliens distract the other three letting Fred sneak out of the net.  The guards decide it must be a trick and quickly grab Shaggy and Scooby this time.  Crystal and Amber change back and not knowing who they are Scooby and Shaggy hide from the aliens.  The aliens also have great strength and take out all three muscular enemies leaving only Steve and Laura, but Steve realizes something,  Captured aliens are more valuable than the gold.  They use a mining vehicle to subdue them both since Crystal it turns out is very clumsy and trip prone, and they brought no high tech easily concealable weaponry.

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Still more threatening than the aliens from Signs.  I think this is further commentary on darker Scooby-Doo.  Humans with machines good enough to fake being monsters can defeat real monsters arguably making them more dangerous and better villains.  Crystal begs Shaggy for help making them realize who they are and using another vehicle they save them and all five villains are captured.  I think the only way for Steve to get the aliens out was to kill them since I doubt he could rely on ropes since Amber bent steel.  crystal and Amber reveal they have to go back to space and were sent to investigate alien sightings.

Of the four early installments I kept hearing this is the worst, and I had low hopes watching for the first time since I was around seven, but I had a great time watching it.  As obvious and simple as they are I think the villains are real good.  It can be so predictable at times (who the villains are), but also shocking and surprising.  The biggest problem is the quality is not consistent.  The chases, alien reveal, and Lester’s scenes are great, yet plenty of the movie is too slow giving it the opposite problems of cyber Chase.  It is very memorable and Scooby fans should give it a watch.

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DTV Wonders: The Hobbit (1977)

It is not actually Direct-to-video, but Direct-to-TV.  I decided that is close enough for the best Hobbit movie.  This is a traditional animated film by Rankin and Bass using the resources that would become Studio Ghibli.

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It opens with the book being opened and Gandalf narrating about Hobbits.  Gandalf is awesome as expected.  He is powerful, yet wise.

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Bilbo is much fatter than he is in Peter Jackson’s version, and he is more aggravated to realize a wizard came to him.  The Dwarves immediately show up and sing “That’s what Bilbo Baggins hates.”  They eat all his food quickly.  Like in Jackson’s version Bilbo is scared of dying, but unlike Jackson’s films he is immediately interested in seeing the rest of Middle Earth.

 

The Song “Greatest Adventure plays when he sleeps. He early on wakes up in the middle of the night and realizes he wants to go when he stares at the full moon like nature is calling for him to go.  He then dream about being a king with everyone loving him at the lyrics “a man who’s a dreamer…” The song describes what he will not find if he stays like passion and fun.  This is a great credit song and it only comes in about nine minutes into the movie.

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Once they actually start leaving Bilbo quickly misses his home and tries to comfort himself by thinking of it.  It gets worse when Thorin, the Dwarf leader, pressures him into robbing trolls.  In Jackson’s version the trolls had already robbed them, but here they were not bothering them at all, as Rankin and Bass used a more negative portrayal of the dwarves.  I think that is more accurate to the book.  Bilbo is caught and then the rest of the dwarves, but Bilbo escapes to a cave since the trolls are okay with losing the teeny snack.  So far so good, useful wizard and everyone else is useless like in Tolkien’s book.  Gandalf saves them, and while Thorin is mad at Bilbo, he did find the cave of the trolls’ treasure which includes swords.  Here another distinction occurs between the animated and live-action dwarves.  The animated ones seem to have no weapons before now or plan at all.  They really are helpless without Bilbo and Gandalf.  Even worse Thorin has no map reading abilities.  When Gandalf leaves Thorin gets them to sleep in a cave which is “the perfect place.”

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They are all captured, but Bilbo again escapes.  The dwarves are saved by Gandalf, while Bilbo is lost and confronted by Gollum.  Gollum’s voice cannot compare to Andy Serkis’s performance or his great performance is Bakshi’s film, but his design is notably different in a good way. He looks like a frog-human hybrid, and he looks like a physical threat.  The riddle game goes like it does in the books, and Bilbo uses his new magic ring to escape.

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In one scene a dwarf saves Bilbo from Wargs, and I think this is the only time a dwarf is helpful.  At Mirkwood forest Gandalf leaves and appoints Bilbo as his surrogate and group scribe.

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Bilbo is forced to climb a tree.  “I couldn’t argue.  My contract is vague on several points.”  A funny attack on loopholes there, and when he sees how pretty Mirkwood looks he realizes he wants to be there adventuring, not back in his home, a huge change from the beginning of the film.  Unfortunately the rest of Mirkwood is not well made by the film.  He saves the dwarves from spiders, but the stabbing animation is bad making the scene pale compared to its book counterpart.  Also “the wood elves have returned.”  That appearance was deleted making a plot hole.

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Also they look nothing like Elrond, and this design is not good.  Fortunately getting them out is a great scene demonstrating Bilbo’s intelligence, the rivalry between dwarves and elves, and it is ironically way less cartoony than the live-action version.  One notable thing is the movie is only seventy-seven minutes long.  The dwarves are mostly extras (which is better than they were in Jackson’s version).  At Laketown the people also get demoted to extra.  Only their future king seems to have lines, as they are just a brief stop.

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Bilbo on the mountain befriends a bird, the Thrush.  He finds the entrance to the mountain in a much better scene than what Jackson used due to the better pacing.  Then Thorin says Bilbo needs to go earn his 1/14th of the treasure.  That is how it happened in the book where Thorin ignores all Bilbo has done for them, and Bilbo points out his contract never said he had to save them from spiders and elves.  to his disappointment nobody comes to help except Thrush.

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Smaug here is magnificent.  Instead of a generic dragon design he looks like a mammal.  His actor Richard Boone, makes him sound like he is from a Western, and it works for something so powerful.  Some find his design too fat, but I did notice until a few watches.  He does decide the burglar is from Laketown.  To save them Bilbo sends the Thrush to warn them about his one weak spot, which results in their future king slaying the dragon. Back with the company only Bilbo shows any interest in the men’s safety, and Bilbo begins to act like the leader.  When the dragon attacks he guides them to safety and gets everyone else in first.  He then leads them to he gate out against Thorin’s will.  It ends with the Battle of the Five Armies.  No dragon sickness it is just the dwarves are greedy, the elf king wants his old treasure despite having been a pain, and the men feel entitled to something after killing the dragon. Bilbo wants to give up fractions of the treasure since there is plenty, but Thorin says he does not understand war.  These few minutes have more weight than the last Hobbit film.  Bilbo hopes to be captured resulting in Thorin calling him a coward.  Bilbo responds that he has been heroic while Thorin has hid. Gandalf then warns them about the attacking goblins.  Humorously the three kings then call each other their closest friends and brothers, as they join against a common enemy.  In the book only three dwarves die.  Here seven die.  Thorin thanks Bilbo for his work, as Bilbo arrives back at the Shire with some gold and the film ends with the ring shining indicating a sequel made by different people.

The animation is the weakness.  I like the designs, but movement and fighting are lackluster, and it sticks out at times that they were squeezing their dimes.

I hate to keep putting down Jackson’s work (especially with all the good he has done for the books), but this is better than his trilogy.  Bilbo does not become a side character, the plot is faster paced, elves do not take over, it has better humor, very good songs, interesting designs mostly, and it always felt faithful to the children’s story it was based off.

 

 

 

DTV Wonders: Scooby-Doo in Arabian Knights

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Scooby-Doo as a franchise has been around since 1969 menaing it will turn 50 next year, and this film nearly killed it at age 25 in 1994.  A Pup Named Scooby-Doo ended in 1991 and no new Scooby-doo episodes were made until 2002 due to the franchise being saved in 1998 by Scooby-Doo on Zombie Island.  Now as a fan of the franchise I had to check out what nearly killed it.

It starts with Scooby-Doo and Shaggy having a magic carpet taxi ride.  The animation is changed to better match the frame story, but that looks distractedly odd.  To make it worse no one’s mouth closes all the way, until they do in the frame stories.

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They arrive and get a job as a royal food tester.  They then eat everything, realize they are professional poison checkers and will die from it.  They then also realize the Caliph now has no food and will kill them for it.

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They accidently break his glasses and Shaggy hides in drag.  The blind Caliph mistakes Shaggy for a suitor and his future wife thinking he is beautiful, smart, and witty.  Clearly he needs a woman with the last two traits to complete him.  Shaggy’s brilliant plan is then to tell him a story so boring it will put him to sleep.  I suggest remembering that audience.  Shaggy thinks the most boring story is about Yogi Bear in a rip-off of Disney’s Aladdin.  There many good descriptions of Aladdin and Yogi-Bear but boring is not one of them.

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Frame story one is Aladdin (the Disney version) but gender flopped with Aliyah-Din.  I will definitely hate her more now that I have to constantly type that name.  Just replace the Blue genie with Yogi-Bear as a genie and this is what the film uses in 1994, two years after it came out.  It has many problems like most of Yogi’s jokes are him begging his master to wish for a picnic basket, which he does constantly.  The Prince (no name given) does a big speech about not falling for love at first sight, which is then exactly how he falls in love (lust to be exact) for Aliyah-Din.  Jafar’s counterpart has a boss who is an emerald voiced by Tony Jay.  He then disappears after one scene making him pointless and a waste of money in hiring Jay and animating it.  Its climax and twist ending is just awful.  Also it is just a dull rushed version of the Disney film, and overall it is not good and takes up way too much of the film.

It does have some redeeming qualities.  Aliyah-Din wears a light brown cloak mostly, and with how few female protagonists do that it is refreshingly different.  While this is clearly a coincidence it also has two genies (Yogi and Boo-Boo) just like the original story.

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The big help is Jafar’s counterpart Haman.  I legitimately like watching him.  I do not like the Jafar archetype, an obviously evil villain who is already high up and wants to go a little higher.   There is nothing about Haman’s appearance that indicates villain and for any viewers who have not seen the Disney film will probably be surprised he is the bad guy until it is revealed.  He also does not rely on a magic mind control staff.  He is simply good with his words and legitimately convincing that he is just trying to help, and many of his scenes from Disney’s Aladdin are an improvement because of that.  One reason Prince is not married is Haman is telling him he should not rush marriage choices, a good message that most people would listen to, and it fits his agenda of keeping the Sultan heirless to help him take over later.  How does he get Aliyah-Din to enter the cave?  He tells her the Sultan has a great disease and only the lamp can save him.  He tells her it very humbly and is very polite.  Even when he snaps he apologizes saying that his brief anger was due to his worry about the Sultan’s health (very reasonable).  While the villain cannot save the film he is a major benefit keeping it watchable.

This story takes up most of the runtime, and apparently Scooby-Doo in Arabian Knights lacks a certain thing promised, like Scooby-Doo characters.  Yogi-Bear should have been marketed.  Yikes Aliyah-din only takes up 34 minutes?  It felt way longer.  Well as expected this does not put the Caliphate to sleep.  Surprisingly he does love the story and is even more in love with Shaggy.  Shaggy now makes the right choice to tell him an unromantic comedy, and this is actually a big improvement and the only full part worth the watch.  It stars the mostly forgotten Hanna-Barberra character, Magilla Gorilla.

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This next part is simple good comedy with Magilla mistaking Sinbad’s raiding ship as a cruise ship.  They then hunt down various treasures with hijinks ensuing.  There are still two problems.  The previous story is just boring and by this time I am not interested any more.  Also the first treasure hunt is the longest and also not fun to watch.  The second one is the great one which involves Magilla and Sinbad being on a roller coaster with jewels all around it, as they try to steal the valuables while avoiding all the death threats.  This is also where Sinbad becomes a great comedic villain.  He has a good mix of legitimately caring for Magilla and the flaw of being more interested in the treasure.  The third voyage is mixed, but Sinbad keeps it funny.  When Sinbad loses everything I am kind of sad to see it, because I really enjoyed him and felt he was going through character development from a greedy criminal to a caring boss.

The film ends with the Caliph deciding the fun of the stories made him forget his hunger.  Shaggy and Scooby are made royal story tellers.

This film fails in context.  It should have been advertised as a Hanna-Barberra film, not Scooby-Doo who hardly has any role.  The Sinbad story should have been first.  Give the audience a short good comedy before the main event that way they could enjoy the better one and then at least go into the second one already happy.  If not that then greatly shorten the Aladdin story and make Sinbad more than a comedy by adding in a real arc for Sinbad.  That had plenty of potential for it, but it was only treated as a tacked on epilogue to the main event despite being vastly superior.  While not the worst Scooby-Doo movie I have seen it is the one I think the fewest people would like. It is really bad.

Contested sequels: Batman Returns

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This film came out three years after Tim Burton’s first Batman movie.  It was nowhere near as successful, which usually happens with a sequel.  It is debated about whether it is darker than its predecessor or lighter than it, and whether it is a better film. The differing views are due to the completely different focus

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This movie is far from a rehash.  The most notable change is Batman’s increased role.  In the first film Batman is in the shadows, as Joker and Vicki Vale both take center stage over him, as it is told from the point of view of most Gothamites. This film gives Batman center focus along with the hidden motives of Penguin, Shrek, and Catwoman.  Only Batman, Alfred, and Gordon remain from the first film.  While this makes it not stick out like Batman does, it gives it a different feel as a more traditional non-origin superhero film, as Batman now dominate the screentime for the non villainous people of Gotham.

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Batman Returns is known for its dark tone best exlempified by Penguin’s parents throwing their newborn into the sewers on Christmas, however its tone is best shown by the opening action scene.  The villains are from a circus and look the part. One immediately pulls out a doll house, and then a machine gun barrel comes out and fires.  It is very cheesy and dark, and that is the best way to describe this film, dark cheese.  In the first film this is mostly limited to a few of Joker’s actions like killing his girlfriend off screen.  In the sequel Penguin put missiles on penguins to make them into kamikazes.  Many viewers find this dark, but others find it funny.

Batman Returns along with Batman are among the films I annually watch.  it depends on the year witch one I prefer partly, because they each give something different while still feeling like they are portraying the same Batman and Gotham.  One focuses on Batman and feels like he fights goofy  yet killer clowns, and the other focuses on normal people and have Batman face off against killer yet goofy clowns.

DTV Wonders Scooby-Doo and the Cyber Chase

 

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Scooby Doo on Zombie Island was my first written DTV Wonder, and now I return to the early Scooby-Doo movies, and I have as much nostalgia for this film as most of The Land Before Time films.  Jim Stenstrum is back as the director and Davis Doi is still producing and doing the story, but the writers are different. The main cast change is Grey DeLisle takes over as the voice of Daphne, a role which she had until 2013. This film came out in 2001. This is normally considered one of the best Scooby-Doo movies, and that is accurate to me.

The opening trailers are very good when they are about movies. The Harry Potter and he Sorcerer’s Stone trailer makes me want to watch it again.  The trailer to Pokémon 3 shows some cool Cyndaquil action, and the trailer to Grandma got run over by a Reindeer… well what else could it be? Then the toy commercials seem to have nothing to work with.

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At a strange lab some scientists talk about a laser. They are professor Kaufman (coincidently the name of one of my college’s buildings where I do most of my classes), Erik, and Bill. Besides Erik’s actor voicing Bucky the squirrel in The Emperor’s new Groove, none of their actors are important, which is fine for small roles like they have.  Apparently the laser is broken, but then it just turns on after Bill presses some buttons and keeps pressing them (he is probably the villain), and then the Laser shoots the Phantom Virus into the world. While I have named him the movie does not until later giving the viewers a mysterious unknown villain.  He is also able to absorb computer data and make electronics come to life as his minions so it ends with a close up of his pointy chin, as the professor and his students are trapped.  This results in disappointment when the Mystery Machine is shown with the characters expositioning about their fried Erik making a computer game based off them instead of more of the college.

They arrive at “State University.”  I presume it is named for its founder, John State. They meet the Red Herring, Officer Wembley (there is zero chance he had access to the computers necessary), and he immediately worries they are pranksters.  The next few scenes give exposition with some comic relief mixed in to keep the kiddies entertained like Scooby and Shaggy nearly eating radioactive tomatoes.  Both Kaufman and Erik ask for help, and it is revealed they escaped the virus as the electromagnet is his kryptonite, as it hurts his pixels.  Also it is mentioned he can wreck all of Earth’s technology (sadly it will not be explored).  The laser can move objects into the computer world and apparently vice versa, as a Virus was beamed in.  They use this for making computer game instead of ending The Great Pacific Garbage island

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We then have a bad mythology gag. When Fred says to split up Scooby and Shaggy leave before he says who will go with whom.  Shaggy’s response is “Like we ever do it any other way.” In the first two seasons more often than not it was Scooby, Shaggy, and Velma in a group. Well after that Scooby and Shaggy proceed to eat the cafeteria dry, while Velma, Fred, and Daphne have a showdown with the phantom virus, and interestingly thanks to the magnet this time the gang is chasing the monster instead of the reverse.  They are then caught by Officer Wembly who points out that they are in a restricted area and Kaufman never gave them hall passes.  Maybe Kaufman is the villain.  Well in what is probably he best part of the movie’s humor the phantom virus chases Scooby and Shaggy, which includes them using a robot against him (virus forgot he can control), and electrocuting him.

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Then they electrocute him again.

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Despite being able to control technology, hide in dust, and shoot lasers from his fingers, he seems surprisingly playful and inept, since this is not his world.  They run by the rest resulting in the whole gang getting stuck trying to fin him. Then the laser is powered by a lab cat hand (further ruling Wembley out) beams them into the computer game.  It is then revealed by Erik that the only way for them to get out is for them to get past all ten levels. The problem is they could still beam in a guide to the game, a walkthrough, or supplies.

Level one is the moon level, where it is quickly established that they can still feel pain there, and presumably die.  The story gets episodic here, as it is about them being chased by moon goons and the phantom virus, as in each level this is what they have to do in order to find a box of Scooby snacks.  The story gets episodic because of it, and this is quite dull except for showing the phantom virus to now be a much larger threat, as he has allies and all of the magnets are stuck in the real world.  Why put them down?

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The second level is much improved.  They are moved to the Roman Coliseum.  To make things worse a lion has the Scooby snacks, but he for some reason puts it on the ground.  After a good chase between the gladiators and Scooby and Shaggy; Fred successfully bull fights the lion into the pen. In a chase scene that then makes no sense if you consider the timing, Shaggy and Scooby distract the gladiators by disguising themselves as…

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Assuming Caligula was emperor at the time him being a dog is actually believable.  They then get to the hardest level, three out of ten.  Apparently to pass this prehistoric level the player must wander a huge forests where everything is trying to kill you, find the scooby snacks on an erupting volcano, have no knowledge beforehand that they are there, have the only clue being a drawing in a random cave, which the player may not go into, deal with it turning dark, and do it before the volcano erupts.  This sounds insanely difficult, and I am wondering why it is level three instead of at least eight.  It is actually the best level to watch and it begins with the phantom virus on a T-Rex.

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They escape it the same way as they did in The Land Before Time VI (which came out three years before this film, so I always assumed they had just watched it for inspiration), by hiding in the thick trees where it could not go.  They eventually reach the volcano by wooly mammoth riding (apparently Erik programmed them to smell bad).  Scooby heroically goes to save a baby pterodactyl, which it turns out was on top of the Scooby snacks.

Then the film montages the next six levels, which all look considerably easier than level three until level ten.  They are in a city, and they eventually find their older counterparts.

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I have no memory of Scooby wearing a red collar anywhere else, and Velma looks identical, but this is cool to see, as they meet Erik’s programed characters, especially how different their eyes are.  In a nice reference they meet them in a malt shop, as most episodes of the first two seasons begin with the gang reading a newspaper in a malt shop.  Fortunately they also know where the scooby snacks are.  Apparently they are supposed to just wander a huge city until they get to the theme park where they are.  Why not just make the theme park the whole level, as it is clearly big enough?  Was this a plan to sell guide books, as this just sounds like boring grinding. They find the phantom virus in a batting cage, and then the creeper and many old Scooby-Doo villains that even I am unfamiliar with.

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At least the tar monster later showed up in Scooby-Doo 2 Monsters Unleashed.  To make things worse they are all real monsters in cyberspace instead of normal people in masks.  They then split up and have some surprisingly well written and good scenes with their older counterparts as they outwit the monsters to escape… twice. They then meet up at the arcade where the virus and Scooby snacks are, and it turns out Shaggy still has the magnet (that damages cyber creatures), and it affects the cyber mystery gang. How did he not feel that huge thing, and it should also affect the area and inanimate objects. In a finely done scene Fred says they should just use the magnet on the virus, and get the cyber gang to stay away outside the arcade.  Instead Fred gets cocky and slips on a ball, and the magnet falls under a game. To make things worse the virus makes the game come to life, and its wires grab Fred. Now the virus is shooting lasers everywhere and controlling the objects to fly everywhere. It is amazing how much more intimidating he has gotten throughout the movie. The cyber gang can tell something is wrong, but then the monsters from earlier chase them away except cyber Scooby who goes inside of the arcade.

Fred gives him a plan which is for Cyber Scooby to mock the virus distracting him, while real Scooby gets the Scooby snacks.  Shagy’s comment “…I’ve never seen Scooby acting so brave.” still bugs me. What about in level three? Well Scooby grabs them, and that defeats all the villains, and lets them go home.

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I cannot say the different Mystery Incs leaving is sad, but it is a nice end to the main part of the film. They arrive back to solve the mystery of… who created the virus. Frankly I would think it could be a Russian hacker, and it is hard to still care about it compared to the Cyber space story.  Fred points out all the baseball references and Erik shows signs of guilt by fleeing instead of claiming to be framed.  He is arrested and the movie ends at a malt shop as a nice call back to the original series and level 10. After that lots and lots of ads for the video game.

As an adult this film is overly episodic and lacks focus.  It makes little sense as well.  As a kid this movie is stupendous.  Everything about it is amazing, and all my siblings loved it too.  Since children are the target audience I think that weighs more, so this is a great film, but without nostalgia I doubt any adult fans will like it.