My mom is an elementary teacher, and she often brings Christmas videos in December. In November she often asks me about Thanksgiving specials. As a holiday it is not very commercial, as it focuses on the simple pleasures of life. These are the best Thanksgiving specials.
Winnie the Pooh: Seasons of Giving includes a groundhog day special leading up to a Thanksgiving special leading to forcing a winter episode into a Christmas episode. The Thanksgiving special got most of the advertising, and it is very good and memorable. As shown in the picture they eat whatever they normally eat on Thanksgiving, as it is about being thankful over sticking with tradition. The episode is funny and wacky (the norm for the series), but what I really need to praise is how memorable it is. A few years back I saw it in mom’s classroom for only the third time, and I realized I vividly remembered every detail.
Friends is probably the only TV show where the Thanksgiving specials are the most famous. Season five’s episode is the best of the ten. Four of the six characters discuss their worst Thanksgiving days, and Chandler tells Monica he loves her. The best part is Chandler’s changing Thanksgiving history. He hates Thanksgiving due to how many bad events happened on it to him. His parents divorced on it, and he lost his toe around ten years later on Thanksgiving (he has normal feet and toes in other episodes). On this episode he becomes considerably closer to Monica, and he is no longer hating Thanksgiving on future seasons (just Thanksgiving dinner).
A Charlie Brown Thanksgiving is the most famous. The best part is Woodstock and Snoopy goofing around. They steal the show and make the entire special entertaining.
An American Tail Four was made shortly after the third one with the same cast, except for Mama’s Mousekewitz’s actor, the same writer and director. It takes place after the third film and… Why is this an American Tail film? Fievel is really out of character, and most of the other important things are done by a new character, Nellie Brie. It has little to no talk of America. I think this makes more sense as a Chipmunks movie or something new.
Unlike the other films in the franchise I actually have a tad of nostalgia for this, since I saw the beginning until “Get the facts” on TV, and like Fievel’s American Tails I had no interest in more. In fact it is why I did not borrow the first one from Blockbuter when mom asked if I wanted to see it. My target demographic mind found this opening nightmare scene dull. Well it begins with a not scary nightmare, with a thankfully good score from Michael Tavera. Basically Fievel is a coward in this film, and that is one reason why being An American Tail film was a mistake. At least Dekker is much better at this out of character Fievel than he was last film. In the morning Papa talks about how great a reporter (Nellie Brie) is, and Fievel wonders how brave she is. All Fievel has done after all is defeat a corrupt police chief, keep a clear head amidst booby traps in order to solve them, which these same people made a movie about. Not to mention every thing he did in the first film. Since Tanya works at the newspaper office Mama demands she takes Fievel to wok so Nellie Brie can convince him there is no monster. She must do it as Tony got her the job (Tony is later established as being a nobody there), and Tony is Fievel’s friend. Did the makers pay attention to the third film where he eats with the entire family?
The next few parts at least have some really good mouse world parts like them using a mail chute as a train, and I enjoy those. It also has some music from the seventh The Land Before Time film, but getting to work takes up way too much of a seventy-five minute film. Fievel briefly meets Nellie Brie due to some more out of character cowardice, which does not really affect the story anyway. They meet Tanya’s boss whose contributions to the plot are also completely unimportant besides assigning Brie to work with Fievel, because he wants to bug her, renaming Fievel “Rembrandt,” and making headlines that make the whole town scared, since apparently everyone is seeing the night monster. After that the boss repeatedly shows up for useless scenes that go nowhere. This leads to Tony and Tiger trying to sell papers, Fievel is wondering why he got a new name in three out of four movies, Tanya is now always super embarrassed, and hordes of extras working at the sweatshop in Three are now working at the newspaper, so I guess the strike did not work so well, and Brie seems to love insulting people. Also the mice built a wall that successfully keeps the cats out.
I plan for that to be y first and last Trump joke. Brie sings to Fievel “Get the facts.” She is voiced by Susan Boyd known for her singing and for acting… She has no acting experience except for extras, and she almost always sounds the same. Dekker is outperforming her big time. The writer Len Uhley also wrote The Land Before Time 7 and he takes many shots at this film there, so I think that supports my theory that this was not a fun film to make. The song keeps saying that knowing details about something makes it less scary, but based on my study of demos that is really false. Also the song is bad, and repeats the main lyrics way too much. This is contradicted with “Beyond the Mysterious Beyond” where they instead sang about how mystery makes life more interesting, that answers raise more questions, and we must accept not knowing many things. The screenwriter is debunking the nonsense for me, thanks Uhley. They interview a few people whose homes were destroyed by the monster, and many mice have been kidnapped.
A poodle named Madame Mousey is a fortune teller who offers some sort of essence that will keep the monster away. I guess the writers wanted their own Scooby-Doo film. When asked why Brie does not believe in the monster she responds with, “Not unless I see it with my own eyes.” How will Uhley counter this in Land Before Time 7?
“If they don’t see it with their own eyes it doesn’t exist. What limited thinking.” I now like that film even more. The show then cuts to one of Fievel’s nightmares about Yasha dying, but the problem is later scenes will feel like a fake nightmare instead of real. At the next attack Fievel and Brie find a cat’s hairball.
It is then revealed that Mousey is working with cats as a Scooby-doo scam to get rich, while the cats sell the mice to other cats with a mechanical monster (big surprise as the trailers ruined that part). For “Mystery” everything is wrapped up less than thirty minutes into the film. Well Mousey is a poor villain. They repeat the same gags with her like characters pronouncing her name as “Mouse-ey,” being mistaken for a rat, or her getting very angry only to calm down before talking. At least somewhat smart green cat comes off as competent and fairly murderous making him by far the best villain. Mousey shows her dominance with a villain song. fortunately Michelle Brourman and Amanda McBroom wrote the songs, but unfortunately this is just dull, and hard to understand. She wants to remove Brie, and instead of just using the monster on her at night she leads a direct trail back to herself by telling Tony a spot, and that leads to Brie and Fievel going there. Well Tony is mad about not being assigned to reporting it (partly as he is not a reporter), and save Fievel and Brie from the monster by dropping a chandelier on it. They also find a jewel from Mousey’s collar. Tony hopes they have more chandeliers in the future, as the others note a terrible smell.
This leads them to the dog park from some sort of thing to do with contacts, and five and a half minutes of screen time later they find out that Mousey is a lost poodle, which… somehow proves she is behind it. In the process they meet some dogs, and have a song, “Who Will.” Best of the movie, but way too basic in lyrics. It does however, stick out as the only song of the franchise where Tony sings. The lost dog poster means nothing until they connect the dots based on Tony’s tip coming from Mousey. The newspaper writes that she is behind it, and leaves the papers vulnerable except for the boss, Brie, and Tanya who stay late to work. Meanwhile hordes of captured mice try to escape, as for some reason they have not been sold yet. With machine broken green cat wants to rebel against Mousey (good idea), but she says she is needed to fix the machine, and she will then destroy the papers. Also Brie is talked like she is super famous, when reporters are not famous.
They first kidnap Fievel’s family, despite it doing nothing to help them. Seriously if they did not then Fievel would have gone to bed, and the villains would have won. Way to ruin your own plans by being pointlessly evil. Well Tiger and Tony show up, and they decide that Tiger has to get the dogs to help, as in a surprisingly hard to follow storyline they want to catch Mousey to get her back to her owner. Meanwhile Papa needlessly angers his captures making them want to eat him. Tony and Fievel arrive, but Fievel insists the best thing to do is get Brie despite her showing no skill at quick thinking, while Fievel and Tony have. Even worse there was no need to take up that much time, because Tony then just gets everyone rescued all by himself. He does it with enough water that all of the mice should be very dead. When Fievel gets back to the newspapers Mousey, and a few cats with the machine destroy the papers and capture the late workers, but Fievel electrifies Mousey, and then a chase scene ensues. Thanks to Fievel distracting it Brie is able to destroy the monster by using the mailing tube to shoot some machine parts at it. With Fievel actually acting like Fievel he easily defeats the only serious villain, the green cat, and the dogs show up thanks to Tiger (a little late there Cavalry) finishing the cats and Mousey off. Shouldn’t the mice be worried about dogs, which kill mice being in their wall? A dull brief scene at the beach ends the film.
The songs are bad, the plot is too Scooby-Doo, the mystery is not a mystery, the lesson about bravery is extremely basic, and this might be worse than The Land Before Time 13. It lacks any of its complex moral attempt and scattered but some good scenes. It has inferior humor, but it gets its major attacks on its own franchise out of the way quickly, and it is overall better acted. It also has more complexity in its plot, and it is actually pretty fun to make fun of this, so I think it is a little better. It is certainly not as bad as The Lion King 2, but certainly bad. This was a poor way for a franchise to end, and Universal Cartoon Studios quickly went back to the Land Before Time, and a new franchise, Balto.
I know I do not like Disney songs, but these are great. In the 1970s and 1980s these were between the ABC shows targeted at children. The creators assumed that no one really cared about them, but when their viewers grew up they learned their viewers actually often only watched the shows for the songs between them, and they were released to video where I saw them.
Here is an iconic song about the government that is sometimes use in college to explain it. Besides that it has an easy to root for protagonist an audience surrogate. The congressmen are funny, and it is very catchy.
For the most part this song is just really funny.
Oddly they play this song in the VHS before the noun song, despite mentioning nouns many times here. Still it also has some really good visuals like them all getting on the bus.
Sadly, I cannot honestly call this the ninth best song. Unlike “I’m Just a Bill” this has a villain protagonist that we keep waiting to see the mouse have the last laugh, and it finally happens at the end when he escapes, after it looks like the segment is already over. He went through so much pain, and it shows a small victory can be all that is needed, while still helping me learn nines better.
As a history major I have known since second grade there are some historical inaccuracies in here, but this song and realizing the inaccuracies helped me remember them. Besides that it has the revolution, but focused more on gathering the troops than fighting (more on that later), and why they decided to fight.
This song is always great for a laugh with how many problems the protagonist has, and it is great. The visuals are good for both humor and what the world would be without gravity.
Again the humor really makes this song.
I know I have heard this analogy a few times, but this is the best discussion of zero as a super hero. It did not really teach me anything except for cavemen using math, but it has such great music, and super thin necks (look at him above).
I do not think many other fans like this as much as I do. It has a very catchy chorus, and the verses tell a clear story that unlike “Victim of Gravity” has a clearly happy ending from the nervous system. I think this is the most educational video in Science Rock, even if it is dated.
This is the funniest School House Rock song. It is one funny and unexpected visual and interjection after another.
This one is about The Revolutionary War. Obviously it is exciting, and with the exception of parts of the Bunker Hill part is very accurate with a romanticized view for America. It will keep the audience remembering some major parts like France entering the war, Yorktown, Bunker Hill, The Old North Bridge, and crossing the Delaware.
I do not think this is many other people’s favorite song. Money Rock is not too popular, but every Schoolhouse Rock fan has something in it they enjoy like “This for That,” or “Where the Money Goes.” This is the song that made me keep playing this video over and over as a nine year old trying to understand the national debt. It was not until I looked through some fifth grade textbooks I found another source talking about it, so I had previously assumed that being the world’s largest economy the US was debt free. Now I knew they had a debt of over five trillion dollars (now we wish it was that small). I watched it over and over to see if the ending was talking about it starting to shrink or just hope for the future. This is their most educational video and the scariest one.
Schoolhouse Rock are some of the only music videos I enjoy, as they knew to entertain and then education could come. Besides nostalgia they are fun to watch and remember how much edutainment they had.
Oddly after I pan The Lion King II the next film ahs a trailer for the DVD release of the first one. This trailer made my brother want to play the safari game so much we bought it. We also lost it in the last few months. I always liked the Bionicle: Mask of Light commercial, but I never felt a need to see it. It makes me wonder what film has a commercial for its sequel. The commercial for the series has many spoilers for the film, which I somehow missed the first time I watched this around twelve years ago. The main menu has a part with Stitch swinging from a rope, which made me assume he would do that in the climax.
Gantu is back to be one of the main villains. He still comes off as intimidating. I know several fans think he got way weaker after the original, but considering he is now much stronger than Jumba (Jumba fought Stitch far better than Gantu in the original) I have doubts about that. He is now working for Hamsterviel. Despite Gantu still being rather intimidating the overly small stuff and Hamsterviel’s voice keep this part surprisingly funny. The plan is for Gantu to go Earth (which the aliens no longer call Yars) and retrieve the other 625 evil experiments.
The new animation did make the characters look uglier, but I only thought that for two minutes. The main plot line is Lilo and Stitch want more people outside of their family to like Stitch. This leads to the main problem, there is very little story. In fact the run time is less than an hour, but there are still plenty of scenes that could have been cut easily. This easily could have been reduced to a 2 part episode. As expected it does not go well with Stitch scaring a few people away and that results in a little fire (Lilo was very happy to help put it out). Stitch goes to Jumba (his creator) to ask about family. Jumba says they both have no family.
After a few jokes such as Pleakly cooking dog food, which is actually more nutritious than most human food and David getting his small role to keep his fans happy Gantu breaks in. This film has received a few idiot plot accusations. I disagree with most, but I always found it odd that Gantu beats Stitch early and does not use the opportunity to finish him off. It would have saved him a horde of misery the next three years, and it is later revealed that Hamsterveil would have plenty of use for him. Also Jumba just then tries to actually hide his other 625 monstrosities he thinks should not be activated instead of burying them a while back. Also Gantu decides to just kidnap Jumba instead of looking harder. He des also find experiment pod 625, with its ominous music. When I was younger I only noticed the first one, and I thought it was very bad for the main heroes that Jumba is aliennapped.
Stitch then hotwires Jumba’s ship, and they chase him into space. Stitch apparently has really good aim and manages to shoot the engines without actually hurting Jumba, but they run out of power. Presumably they have some emergency power that Stitch uses to make sure they fall at home and not in Antarctic or Venus. Wow, I am already throught one quarter of he film. I have criticized David’s role as being filler but most of his lines are funny such as him watching an alien invasion movie oblivious to Gantu having just assaulted his want to be girlfriend’s house. This leads to Nani calling Cobra for help. Lilo realizes that one of the experiments could repower the ship letting them chase after Gantu. Pleakly has the more long term plan of calling every phone in the galaxy.
Lilo and Stitch release 221, but he wrecks the house’s power and leaves. They should have used insulators. They go looking for him, but it goes nowhere except some fun ideas for the characters like seeing Stitch’s night vision in action. It was not important, but the scene is fun to watch.
In the meantime Jumba is set up to be tortured by Hamsterveil but nothing worries him especially Hamsterveil threatening his family. “Ha, I have no family.” I like how happy he is to say that. Hamsterveil is really hard to understand, but I still enjoy his blunt rudeness, Jumba’s uncaring attitude, and Gantu being overly polite. These three are really funny. They then decide to release 625 on him. The music indicate that is very bad. All three are scared of him, until it turns out he is very lazy an just makes and eats sandwiches. 625 makes the funny trio an even funnier quartet. Eventually Jumba is singing ninety-nine beers on the wall except he is singing about pieces of me on the wall. I have actually sung that many times. Pleakly reaches him, but Hamsterveil takes the phone and makes a ransom demand. Gant puts the phone gently away…
No! Slam it! I think one of the idiot plots is how Pleakly tried to reach Jumba, which actually gave the villains an option for a ransom, and Lilo now regretting releasing Sparky since the ransom is now incomplete. I thought that was a nice change where plans work or fail. Sometimes a person realizes half way through their plan was bad and now has to change it. Stitch hotwires Cobra’s car, and they look for Sparky over a montage. I remember my dad laughing at the part where Stitch drinks an entire case of coffee. After that they find Sparky by following the screaming people and broken electronics. Stitch catchshim witht he rope swinging in the menu (I was surprised to see it so early) and a glass vase. They bond over some similarities, and they realize they are family.
Pleakly and Cobra go to meet Hamsterveil and Gantu at the lighthouse. Cobra’s actions do fit into his plan later. He is hoping to give the experiments to Hamsterveil, get Jumba back, then the Galatic Federation will destroy Hamsterveil and the experiments. IT also has the good part where Lilo shows up and reveals she named 221 Sparky. The real good part is where Cobra claims she cannot see how complicated the situation is when she is like him taking a third option, save everyone by using Sparky as a distraction, which gives Stitch time to save Jumba. Despite that Hamsterveil gets the experiments, and Sparky takes out the Galatic Federation’s ship before it can destroy all 624 of them. Hamsterveil and Gantu with the experiments get back in the ship. Lilo and Stich ruin after them. This is less heroic on a rewatch since Lilo was useless from here onward except for a bit of keep away Stitch could have done by himself.
They successfully get the experiments out of the window, and the case breaks letting them fall freely back to the island. It looks happy until Pleakly points out how dangerous they will be and the chairwoman agrees with Pleakly. to make it worse Lilo and Stitch are captured. I still do not know why Stitch cannot go through the glass, but I guess Gantu used better material. Hamsterveil threatens them from a huge pile of phone books. He plans to cut Stitch in half so he can clone him. Gantu is teleporting Lilo to a soup company. He then gets distracted as 625 is getting a huge order of baloney teleported to them. As everyone knew would happen Sparky comes in to save Stitch. They easily overpower Hamsterveil. Getting to Lilo is harder, as the musicand grunting make sit obvios the ship is hard to move through and the walls do not let Stitch climb them like he normally can. He gets here, but he cannot stop the teleportation. He then realizes it was for the baloney and frees Lilo from the other one. Gantu then chases them and sees someone is stealing his ship, but it is just 625 wondering where his baloney is. All he has is cheese and bread. It was actually a red herring and Sparky locks the doors and sends Gantu’s ship crashing on Earth. It also turns 625’s sandwich into a grilled cheese.
They get back to earth. Hamsterveil is arrested. Sparky finds that he can do a lot of good at the lighthouse, which had no power before him. The councilwoman then says she will evacuate the planet and gas it to destroy the experiments. Lilo convinces her not to, as they will find them and turn them good. Now I feel the ending is a poor set up. When I was younger this made my whole family really want to watch the TV series, which is really good.
Today I do not care for this so called film, but as the target audience I thought it was a great pilot. It is still funny, and it has good action. It lead to a very good TV series, and I do like the new characters. It is just too dull with the story for me now.
The first sequel. It only has one preview of “The Adventures of Timmy the tooth.” It includes the villains capturing the sun with a rope. I think that sounds fun The Universal logo starts the film. It does not begin with a description of long ago. It shows meteorites in space (foreshadowing 3), and The Great Valley with music from the original playing. The narrator talks about “The Dreaded Sharpteeth” and shows Chomper’s dad. At the times he is ambiguously the sharptooth from the original and Frank Welker’s roar is very frightening. In the meantime the prequels have their first song. This is not confirmed, but I noticed all three songs are in the first half. It makes me think executive meddling forced this to be a musical and Smith wanted the songs done rather quickly.
I think that is the same ledge they were on at the end of 5. It is a good song if you remember that they just got to the Great Valley after the first film, and it does a good job showing their parents being watchful, which foreshadows a key part of the film. Having survived the journey there the children view themselves as more impendent, but the adults still see them as children for a good reason. It also uses words like “sun” and “clouds” instead of bright circle and sky puffies. I really love how they o not use proper scientific terms by simplifying them to a basic English understanding.
The next few parts is a natural extension of the theme that Littlefoot feels too small (like in 11 but done better by making him less whiny). It also shows The Great Valley is full of dangers further proving it is not Heaven. It has volcanoes, dangerous Geyser things, and hostile egg stealers ( presumably the one in the original that tried to get Littlefoot or the one sneaking in during the credits). With Jeff Bennet and Rob Paulsen voicing Spike and Petrie they are also several minor characters like Ozzy and Strut). They are after eggs.
Like the ending to the original Cera calls Littelfoot to play, but they are bored, as they unknowingly stop Ozzy and strut from taking an egg. They eventually decide to play past the sinking sand. Thanks to Cera’s less than stellar jumping abilities they get stuck and are only saved by Grandpa. With this going on all of their parents are mad at them and not as trusting as earlier. Cera gets them to all leave at night.
In the meantime Ozzy is starting to be present as drug addicted killer, while Stut is more level headed, but he hesitantly goes along. Ozzy’s love for eggs when they can just eat plants is like a drug addiction. I do not think too many fans consider his song “Eggs” good, but I think it is the best in the film. I like the puns and seeing him get so angry at is brother, and I always laugh at some point. Ozzy becomes the only dinosaur in the series to say his species name.
The main characters besides Littlefoot decide they do not need parents (I am pretty sure this film was a major part of me deciding the reverse). Littlefoot does not like their idea of running away to prove it. They eventually notice Ozzy and Strut taking an egg from Ducky’s family. Littlefoot wants to tell the grownups. Lead by Cera the others want to catch them to prove they are not hatchlings. Some fans are annoyed Cera is so much nicer ignoring she got nicer at the end of 1, and events change people. I really loved it how they resected us enough to keep character development. Cera reasons they have a 5-2 advantage (size wise I think they are outnumbered). They give chase and foreshadowing Chomper’s shadow Ozzy and strut only see the shadow and think they are huge. Eventually they hide in a cave. Now Cera is scared saying they should get help. Littlefoot has also switched saying doing that would this late would let them get away. Ducky and Spike are with him and Petrie tags along. Also like in the original Cera is scared of Thunder.
In ensuing chaos They smash into a rock formation making a huge hole in The Great Wall separating The Great Valley from The Mysterious Beyond.” The egg never actually hits the rocks thanks to the egg stealers trying to safe it, and it rolls back to its nest. The main characters fall to a swamp filled with sharpteeth skeletons (like what the bullies walked through in 3). They find an egg that they assume is a grown up egg from earlier. They make a carrying nest to get it back, but find that the egg is already back. Littlefoot wants to tell the grown-ups, but Cera by threat o violence makes him not under the assumption they will be punished for leaving. I think she actually is mad at her daddy and wants to keep a secret from him. The egg stealers prepare to take it back until it hatches, and it is a sharptooth. The rest flee and run over the egg stealers knocking them unconscious. Littlefoot stays to raise it. He tries to teach him to walk, names him Chomper. He then realizes the food source is a problem. He refuses to eat plants. Some critics said the message about acceptance is broken due to the food issue. They are mistaking 2 with 5. The food part is never hidden at all, and that is why Littlefoot and Chomper cannot stay together. The message is really that parents know best and like his parents Littlefoot has to accept that he cannot take care of Chomper due to not being able to feed him like his real parents can.
In a cute scene he asks his parents for information under the lie that he is just curious. They think it is just their grandson dreaming about being older, and play along. In the meantime Ducky, Spike, Petrie, and Cera think sharptooth ate Littlefoot and the egg stealers attack them. Littlefoot just realized Chomper did not obey him about staying in one place. He finds him, but then notices the egg stealers are about to throw the others off a cliff. He fails to save them, but Chomper’s shadow scares them into leaping to safety and great pain. Unlike the yellow bellies the animators did a great job at making these guys look fit.
If this did not come out the same year as The Lion King I would think one of them was inspired by the other, as they both involve herbivores trying to raise a carnivore who eats bugs. Of course here it is used for drama, while in The Lion King it was used for comic relief. They sing the final song already “Family and One of us Now.” I never notably liked it, but it is perfectly fine. Chomper ends it with biting Cera on the tail turning all but Littlefoot against him. Ducky and Spike also turn against themselves realizing theyare acting like their parents to Chomper. Chomper runs off.
For the first time until nine films later two sharpteeth enter The Great Valley. Ozzy and Strut climb their way back up (arm day today and leg day was yesterday I guess) they go for another nest, but the children’s screaming alerts mommy to save them. Ozzy is clearly mad while strut is slightly funny scared at the same time. Ozzy vows to kill them in retaliation. The gang saw Chomper at an active volcano. Time to completely ignore the poisonous gases. I am really wondering how the volcano did not affect the valley more than the drought next film. The egg stealers find the main characters and threaten to throw them I some boiling water. Strut laughs happily. I have mostly left out that Strut is slowly becoming more murderous like Ozzy. It is not really important to the main plot, but it does help keep the character interesting and show the audience what bad company gives. It started when he was mad the children took their egg. Cera claims they are friends with a huge sharptooth, but she slips and mocks them for being scared by a baby sharptooth.
The villains are very good. The moral is very good. The action is fine, but the beginning and not so amazing songs hold it back from the best sequels. Then in the credits one key animator is named “Thomas Decker” giving him a very similar name to an actor later in the franchise.
The new climax ranking is 3, 5, 6, 10, 7, 2, 14, 4, 11, 12, 8, 9, 13
For the first time the new film has no songs to be added to the top 15 song list. “Eggs” is the best, but it is not as good as “who Needs you.” Of course this list was put together rather hastily, and most years it would be different especially after the first 4.
The new running time order is 10 (85 minutes), 14 (82 minutes) 12/11 (81 minutes each), 6 (77 minutes) 13 (76 minutes), 9/8/7 (75 minutes each), 5/4/2 (74 minutes each), 3 (71 minutes)
The new film rankings are 5, 7, 3, 2, 6, 10, 8, 14, 4, 12, 11, 9, 13. It depends on the year about whether 3, 5, and 7 are ordered, but they are the top 3 sequels. The odd numbered films in the second half are notably the worst of the series. It depends on the year about how I rank the even numbered films, but 6 and 4 heavily change each time. I decided two is the best of them due to being a major part of the series and direct-to-video. It is nowhere near as good as 3, but it is very enjoyable.
My favorite eras in order are theme (5-7), Roy Allen Smith (2-4), Full CG (8-10), and Later (11-13).
Many older fans do call this the best of the sequels, as it has very scary moments, intensity, high stakes, and a surprisingly complex theme for the title. The theme is that anger leads to more anger from others, and that stops teamwork from being effective.
The Previews here are very good. I like the commercial to the second film, and it does make me want to watch it again. Then it gives a commercial where they sing “All Sorts” from 4, with clips from the film instead of most the song clips, and I like that better than the actual song clips. I remember saying Babe has a commercial for this film. well it has a commercial for Babe too. It is very good and fast paced. The “Timmy the Tooth” commercials are better in 2.
Of all the sequels this has the best opening. It uses the same music from the original film. It talks a lot about evolution and how single celled organism became land dwellers, yet I it is actually because of these openings I became a Young Earth creationist. I got exposed to so much evolution I turned against it. I still like seeing the animations of it. They even got the narrator to say “dinosaurs.” I also like how it briefly shows feathered raptors and then they take out a three horned like dinosaur. Like 2 it role calls the entire group. Littlefoot the longneck.
Cera the Threehorn (who has one horn for now). Ducky the swimmer (who is hardly ever shown swimming), Petrie the Flyer (Still love him), and Spike the Spiketail (a little redundant). They are using a huge rock as a ball until Hyp and… Nod and Mutt. Unlike Rinkus and Sierra they blend together. I know the bullies are often hated by older viewers, but these three are great, as they actually come off as murderous. Just considering how soon this is from the original it makes sense. The group is yet to save anyone living in the Valley so no one owes them anything. The bullies are teenagers who probably dislike that some children have had a far more adventurous life than them. In their opening talk Littlefoot views them as potential playmates. Petrie views them as bullies and dislikes them. Ducky and Spike agree with Littlefoot Cera not only agrees with Petrie but tries to fight them, which makes Hyp excited until a meteor shower comes including a big one into The Mysterious Beyond.
Seemingly no one is dead. Littlefoot and Grandpa point out that now the danger is over it is a pretty sight from the “flying rocks.”
Then the water source stops flowing. I mentioned in my review of 6 that there are other water sources. Since they have not been in The Great Valley for long I guess they have not found them yet. Grandma and Grandpa do not want Littlefoot to hear the others fight and ask him to go play somewhere else. He does that as we can hear the grown-ups fighting. Littlefoot meets with the other children where to further Show spike’s hidden intelligence he hides before the bullies show up. The song are again written by Michele Brourman and Amanda McBroom, as the first one “When You’re Big” is sung. Unlike Charles Grosvenor who used one film with sentient villains in eight films Roy Allen smith used three in thee films, and they all have villain songs. I know this sounds like the song I usually hate being a villain song and just talk about being evil, but I love it. It captures the destructive energy teenagers and their pure threat level. It is also so catchy. I have seen some good fan videos of it with Jurassic Park dinosaurs. After the song Hyp tells Nod and Mutt how they will presumably kill the group for fun, as they sneak out. They miss Spike who just hid.
After that Grandpa’s water conservation plan is basically to trust everyone to do their part. Being the small government supporter I am I am okay with the idea, but it needs work. I presume everyone else just interrupted him before he could finish. Mr. Threehorn suggests firm action against wasting, and he unintendedly starts many others going on a crusade on who has previously wasted the least water. Another lesson in the film is cooperation is needed to survive the hard times, and the grown-ups do not have it, and the immediate negative effects of the film start. At the same time the bullies splash some water and Mr. Threehorn accuses Littlefoot (presumably thirst and hunger is making him less sane). He deems Littlefoot a bad influence, which makes Ducky wonder what influence is, which is surprisingly funny. He also demands that Cera stay away from Littlefoot and she angrily goes with him until night when she runs off. It is then shown that Mr. Threehorn is overly worried about his daughter, which makes him angrier than usual, which Cera can tell.
In a key moment showing that Grandpa does know best they educate Littlefoot and most the audience on morning dew. They get an okay meal, but the food is dying out fast, as the valley dries up. It is also revealed that off screen they made a time schedule for each herd, but Grandpa says it does not affect the Children, and Mr. Threehorn disagrees. It is surprisingly hard to follow the logic that Mr. Threehorn’s problem is he refuses to compromise, but he gets a song. “Standing Tough” is surprisingly enjoyable. It furthers his motivations that they will die without him doing it and any compromise is weakness. They are too busy fighting to notice Littlefoot leave with Cera.
To further the depression of losing water there a few quick silent scenes showing how the water level is clearly way lower, the fish are struggling, and there is far more dust than usual. The group finds water (I like to think it is the same pond that dried up in 6), but the bullies show up. In a move that really sets them apart instead of trying to take credit for finding water they give the gang a decision, never tell anyone about it and let the bullies only use it or die. In short their plan is to have water and let everyone else likely die. Instead of lying that they will not tell and then tell (no one would fault you) they say they will not and flee. They are saved by a wasp chasing away the bullies. I really like that. The group goes a strange route reasoning their larger pursuers could not cross where they see the desert part of The Mysterious Beyond, but it is covered in the water that would go to The Great Valley, as flying rocks dammed it up.
They go to tell the grown-ups sure they will know what to do, but as Grandma warned earlier a fire starts. Unlike the fire in Bambi that uses an orange fire that engulfs the forest, this fire is mostly smoke blotting out the vision except for a very red fire burning every tree and piece of vegetation near it.
Grandma says they are acting like children and finally a movie has a kid defend themselves when that happens. Thank you Petrie. We can hear the adults fighting as Mr. Threehorn wants a quick plan and Grandpa wants a well thought out plan. The bullies decide to get it themselves. The main group notices and besides Littlefoot they are rooting for the sharpteeth. One reason I love “When You’re Big” is because it is deconstructed in another song, “Kids Like Us.” I should point out at some point. Thomas Decker voiced Littlefoot for 13 songs, while other Littlefoot voice actors voiced him for only 15 songs over nine films, and this is the only time Littlefoot sings in this film. It perfectly contradicts every point made in Hyp’s song. I love it. After that they go to help Littlefoot with the last one being “a scaredy egg.” My brother and I used that insult so many times.
There are four of them. One lunges at Grandpa, but he uses his tail instead of his head (like in 10) as bait. He then hits him to Mr. Threehorn. A rock falls on his head, and we never see him again. Based on what his friends do I presume he was the weak scout they sent in. Hyp’s dad takes the children to safety, and the rest face the others 4-3. Well Littlefoot looks back and sees Grandpa is double teamed, and almost stops to help. It does contrast form earlier how nicely Hyp’s dad tells him not to look back. Despite most likely triple teaming the other one they cannot beat it I presume because they must have put Nod’s dad on him. The grown-ups make the wall defense, which is horrible in real life because they attack the weakest link, but in movies it often works, but not here, as they just run around or even over Nod’s dad. He should have stayed home today.
The children and Hyp’s dad see them from the high ground in front, but the grown-ups have a growl off with them, and we hear shaking as if there battle is making an earth quake. Then all seven of them fall. The grown-ups are out, but somehow all three sharpteeth shake it off. What steroids are they taking? Hyp’s dad runs off to the rescue in a scene that would be horrible if the pacing was not so good making it awesome. It goes from slow paced to so fast. I presume the sharpteeth are still shaken up from the fall and too bruised to move fast, and their steroids affect their brains. Nod and Mutt mock him, but Hyp goes down to distract them, but all three go after him. The sharpteeth chase Hyp, but Grandpa takes them all out in one hit (I am pretty sure that should kill them all). The sharpteeth flee to the rocks to get the children, but Mr. Threehorn takes out another one who gets buried in rocks. I know I often criticize the show for throwing rocks at them too much… Actually I only did that in 13 and 10. Well it really starts right now, but the music and theme coming together about working together, and Hyp’s humor make this rock throwing work so well. Unfortunately all three sharpteeth catch second wind again (I also have to question why Grandpa used his head as bait with no counter attack as usual). It then turns out all the rocks they knocked around has freed the water. The grown-ups flee to the high ground, while the velociraptors are swept away. A later scene shows all three on shore seemingly kissing it. That was awesome.
Surprisingly the falling action is very long, and kind of boring, an it includes a title drop. Only 3, 7, and 12 have title drops and this was the only one that was forced.
Overall this has a great use of silence and pacing. The songs go together so well. The theme is remarkably adult and child centered. The climax is amazing. It took clichés that children were not yet well aware of, and it did great with them. As the target audience this was my second favorite of the series after only 5.
The new climax ranking is 3, 5, 6, 10, 7, 14, 4, 11, 12, 8, 9, 13
The best songs are now 1. Very Important Creature (7) 2. Beyond the Mysterious Beyond (7) 3. Kids Like us (3) 4. Bestest friends (10) 5. Always There (5) 6. Grandma’s Lullaby (4) 7. Big Water (5) 8. When Your’re Big (3) 9. “The Lesson (8) 10. “Family (8) 11. Adventuring (10). 12. flip, Flap, Fly (12). 13. How do You Know (13). 14. “On You’re Own” (6) 15. Who Needs you (4)
The new running time order is 10 (85 minutes), 14 (82 minutes) 12/11 (81 minutes each), 6 (77 minutes) 13 (76 minutes), 9/8/7 (75 minutes each), 5/4 (74 minutes each), 3 (71 minutes)
The new film rankings are 5, 7, 3, 6, 10, 8, 14, 4, 12, 11, 9, 13. 3 was a heavy contender for the title of top film, but I enjoy 5 too much as a kid and 7 too much as an older viewer. It 3, 5, and 7 are the top 3 and very close, and they are the notable big three.
The last film of The Roy Allen Smith Era, and the last one to be directed by him. It is written by Dev Ross. Besides The Wisdom of Friends (13) it is the only one without Littlefoot on the mid cover, which has Cera’s tail. That was always odd to see. Also Warren Taylor instead of Jay Bixsen is the editor. Icky has a pair of binoculars on the front cover above, which foreshadows his song. Most critics hated this, but the target audience loved it.
The commercial to Flipper brings back memories, as my sister loved it, but it feels nothing like the film. I cannot say the commercial to this film, which is next, is good. The “We Sing Dom” commercial is also poor. The most interesting part of the trailer is they put the Universal Cartoon Studios logo before instead of after the film.
Unlike the others it right away reveals the title. Based off this and the poor animation I think it was made really quickly. The opening does have some good foreshadowing when a whale opens his mouth to resemble a crocodile.
It is also impressive when he jumps out of the water. We also get to see some egg stealers (presumably Ozzy and Strut) included) running from a sharptooth resembling Chomper’s dad (a popular misconception is there is no land sharptooth this film. Only 9 as that distinction). I guess they ran back to the herd, so they would only have to outrun their slowest herd mate. Back in The Great Valley Cera knocks food off a tree and laughs by saying “Hee.” I know that with Candace Hutson as her actress she did that a few times, but she does it five times in this film. I surprisingly found it to be a cute laugh that sounded like it came from a kid. Littlefoot chases a Drangonfly and sees a herd of Longnecks coming in. He and his grandparents go to greet them, but Grandpa has trouble getting there.
The grown-ups meet the herd. Mr. Threhorn is really quiet after getting nearly the entire valley killed last movie. Besides 13 this is the only one where he never talks. The longnecks are lead by “Old One.” She is called wise, which Littlefoot doubts. She uses fear tactics to get others to join her migratory herd. When she asks about The Great Valley they say it is the same as usual. I guess a fire, drought, and famine in the last movie is normal. Further proof this is not Heaven. She then starts with the fear tactics by going on about how everywhere is changing for the worst and only Longneck safety in numbers can survive. I would consider safety to be who can eat all the food before anyone else and ignore them, but it is convincing Grandma and Grandpa. I do like how a few longnecks next film look like her herd implying a few got smart and stayed in The Great Valley.
Littlefoot and his friends play catch Cera where he meets Allie (no romantic interest, but it makes me wonder if the producers actually shipped Littlefoot and Cera like a few fans do). Allie likes Littlefoot and is scared of the others due to them being different. It is a good call back to the first one, and it fits the moral that all types of people are needed. Littlefoot decides to play with Allie instead of his older friends due to her funny faces. None are actually funny, so I presume he really just wants to make The Valley’s guests happy. Seeing that makes Cera declare Littlefoot to no longer be there friend. In a good move the others vocally disagree, and it is obvious Cera does not mean it.
Grandpa gets deathly sick. The only way to potentially save him is to for him to eat the nightflowers, which are where the migrators (not called “far-walkers” or “wanderers”for some reason) are from. Grandma gasps for the second time this film, and is discouraged when no one will help her get it. Littlefoot is determined to get it. Grandpa makes him promise to leave with the migrators with Grandma if he dies, which I find to be faulty logic, but The Old One really got into his head with her fear tactics. I am really glad she has a small role.
Grandma sing the first song of the film and her only singing role in the franchise, “Grandma’s Lullaby. Leslie Bricusse wrote the songs instead of Amanda McBroom and Michele Brourman like all the others so far , and she did very well. The song says the words “circle of Life” which got one of the worst internet fandoms angry, The Lion King internet fans. They are overly paranoid everything is ripping them off. Here is why it is not a rip-off that anyone should be able to see right away. The Circle of Life was also mentioned in the first film, which came out six years before The Lion King, which turns the argument around using their overly simple logic. Now it means The Lion King ripped off The Land Before Time, and there are plenty of other similarities before them. This film is doing what sequels are supposed to do and remind the viewers of the original. Some further proof the are not hoping to simply cash in on its success is the second film came out the same year as The Lion King. It also mentioned the circle of life. Both arguments still fall apart due to a major detail, both have entirely different definitions. The Lion King uses a definition that connects all life to a food chain. The Land Before Time and its sequels have a different definition. It uses a circle to connect all parts of life and we all have to die at one point. The final point is that “The Circle of Life” is not original to either film by a longshot.
The song itself has some very nice visuals, and it does not shy away from the darkness it implies. I really like it.
Littlefoot sneaks off to find the night flower. He first enlists Allie since she knows the way, but she convinces him it will be faster to bring no one else. I am starting to think Cera has a point. Grandma is not happy. Ducky volunteers to go get Littlefoot, but Grandma makes them promise not to presumably knowing it is all she can do to keep them in the valley. There is actually an important landmark coming up when they leave. This is the first time since the original a majority of the film takes place in The Mysterious Beyond. Allie and Littlefoot arrive at he best part of the film, the cave.
An earthquake (another callback) sepearates them. Allie leaves to get help being on the right side for that. Littlfoot meats a turtle who looks very similar to the ones he saw in 9 and in the opening to the original. I love that part. The turtle is named Archie, and he helps Littlefoot despite pulling a muscle. Allie gets the others, as they agree after Spike decides to help her (good job Spike), but Cera stays back not trusting Allie. It is obvious she will come later.
We are then introduced to the villains, who had a few quick glimpses earlier. A crocodile named Dill and a sharp Beak named Icky. I expected to heavily criticize them, but in the cave Icky is plenty intimidating and they are actually really funny. They even argue like an old married couple wile singing “Who Needs you.” As a 13 year old I thought this song was hilarious. My sisters still love it. I still like it. One real problem though is a giant prehistoric crocodile is not as cool as a theropod. They eventually find Littlefoot and Archie and chase them down. With the rest only Spike is getting any rocks moved until Cera shows up and literally destroys rocks and one falls on Dill’s head knocking him out and taking out Icky too. Allie is the least useful. The rock scene in 3 is really paying off.
Archie knows the way out and shows it as “If We Hold on Together” Plays. It is very fitting for Archie’s speech about staying together. I know I glanced over the cave scene rather quickly to save time, but it is a very good highlight, and I love it.
We are introduced to The Land Of Mists in a very similar way to The Great Valley, but it is much darker like it is evil. They go to look for the nightflower. Cera gets really scared (she has a lot of cowardice in her) by a serpent. She should have done what Spike did, put Littlefoot’s tail in his mouth to not get lost. Some boneheads start slamming into each other. The egg stealers from earlier all run into the river and are presumably eaten. Surprisingly they forget about Cera to find…
It is a fine scene except forgetting about Cera. They then find Cera making everything look good again. She gives another “Hee,” but she falls into the river due to the rocks falling. Ducky throws her a vine. Oddly Cera sees Dill and Icky coming to get her and does not swim to the rocks to climb up. Icky instead of feasting on egg stealers cuts the vine. They go to eat Cera instead of the horde of egg stealers due to their bad breath I guess. Here is when Dill’s lack of threat hurts the film. Dill gets stuck in a tree leaving the less threatening villain around. Allie goes down to save Cera, which works and they finally like each other as “If We Hold on Together” plays. It also contrasts the villains arguing. Our final song “All Sorts” is the basic moral, and not much else. It does give the villains another purpose, as they are too busy fighting over each others’ strengths and weaknesses instead of using them to help. It does have a nice touch when Cera sings with Allie and Littlefoot even though Candace Hutson’s singing voice is not as good as Andi McCaffee’ singing voice.
Look to the left side of the picture and similar to Icky’s binoculars there is a microphone on a pole near them.
I think I know why I like Dill and Icky. I am so used to them being portrayed as terrifying villains it is nice to see them being the main source of comedy. The rest of the group finds the nightflower, but Dill and Icky literally just bump into them. Icky captures Petrie, but Tickles gets him to bite Dill’s tail instead. This turns Dill on Icky until they hear Cera say “Hee.” Realizing where they are they follow them over a bridge where Ducky goes to retrieve a flower by half grabbing, pulling back, and then fully grabbing. Icky captures Ducky. Petrie finally makes himself useful by trying to safe her and nearly choking her. Ducky falls unconscious, and she is about to be eaten by Dill (how did she get down there and why not get the others). She is woken up by Spike talking. I actually remember the first time hearing this despite the film coming out the year I was born. I always thought it was a logical progression that he would talk eventually, and that is a very memorable part. It wakes Ducky up and with Petrie and Spike’s help Dill instead grabs Icky with her mouth. When she lets Icky out they finally leave. They say goodbye to Tickles. They wonder if they will all meet again someday. Based on what the Evolutionist narrator says Tickles descendants will kill yours so no.
The rest get back and save Grandpa. He is good, Cera gives one final “Hee.” Five total this film. The narrator says Allie will return not mentioning it is for a sucky episode of the TV Series.
When I was the target audience I never really cared about this one. As an adult it depends on the year, but I always love Archie. It has good foreshadowing songs, and humor, but it struggles in animation and mood. Like 6 it depends on the year how much I enjoy it.
The new climax ranking is 5, 6,10, 7, 14, 4, 11,12, 8, 9, 13
The best songs are now 1. Very Important Creature (7) 2. Beyond the Mysterious Beyond (7) 3. Bestest friends (10) 4. Always There (5) 5. Grandma’s Lullaby (4) 6. Big Water (5) 7. “The Lesson (8) 8. “Family (8) 9. Adventuring (10). 10. flip, Flap, Fly (12). 11. How do You Know (13). 12. “On You’re Own” (6) 13. Who Needs you (4) 14. Chanson D’ Ennui (9).
The new running time order is 10 (85 minutes), 14 (82 minutes) 12/11 (81 minutes each), 6 (77 minutes) 13 (76 minutes), 9/8/7 (75 minutes each), 5/4 (74 minutes each)
The new film rankings are 5, 7, 6, 10, 8, 14, 4, 12, 11, 9, 13.
Grandpa is giving up hope on finding Littlefoot. On the island something keeps resembling a sharptooth including a rock perfectly shaped like on (a dark call back to the original). They sing “Always There.” I really love this song, as it has very good sad parts from all the four singers including Littlefoot singing about his mother. The next night they are scared by a shadowy sharptooth. Nothing is scarier, so they keep it hidden, which is a nice different touch.
The new climax ranking is 5, 6, 10, 7, 14, 11, 12, 8, 9, 13
The best songs are now 1. Very Important Creature (7) 2. Beyond the Mysterious Beyond (7) 3. Bestest friends (10) 4. Always There (5) 5. Big Water (5) 6. The Lesson (8) 7. Family (8) 8. Adventuring (10). 9. flip, Flap, Fly (12). 10. How do You Know (13). 11. On You’re Own (6) 12. Chanson D’ Ennui (9).
The new running time order is 10 (85 minutes), 14 (82 minutes) 12/11 (81 minutes each), 6 (77 minutes) 13 (76 minutes), 9/8/7 (75 minutes each), 5 (74 minutes)
The new film rankings are 5, 7, 6, 10, 8, 14, 12, 11, 9, 13. It was close for the top spot.
Between my entire family I think this is the one we watched the most. It is directed by Charles Grosvenor, written by John Loy and Libby Hinson, edited by Jay Bixsen, and it is the first time Thomas Decker is Littlefoot’s sole actor. It is the last time there is no CG. Speaking of that the later films have great CG. Most films in that time had characters that looked so plastic and ugly, and for The Land Before Time that was never the case. Unlike the other films this was made to be the last in the franchise, which explains why they slowly brought the group back together starting with The Stone of Cold Fire (7). This is the first film that had Susan Blu being the casting director.
First this has some great commercials. One is a family pack. It include We’re Back a Dinosaur’s story. It has really bad animation. I really enjoy the joint commercial for the An American Tail movies. It also has a quick commercial for 3 that makes it and 2 look like a two part trilogy. I do not like the Paulie commercial, which makes it look like there is way more gross humor than it had. It ends with a great commercial for the entire Land Before Time series.
Like 7, instead of John Ingle narrating a character does it. Grandpa is telling them about the beginning of time, but presents it as a mystery. He then seemingly contradicts himself from The Mysterious Island (5), when he says there were dinosaurs in The Great Valley long ago, while he earlier said all of them lived in the Mysterious Beyond recently. It is simply explained by that the past group left for some reason. It makes sense based on doc contradicting Pterano in 7 by saying some valleys are just as good as The Great Valley. In Grandpa’s story for the only time in the franchise an entire herd flees from “The biggest, meanest, most ferocious sharptooth ever.” Some fans have wondered if it is the sharptooth from the original based on a similar design and making an entire herd flee. It seemingly has the constitution of him, but I think this is from well before then like when they first noticed Saurusrock. Original sharptooth may be ancient, so I like to think this theory is true. I think the Saurusrock part is fictional within the story, since it is later shown to be outside of the great valley. A little plot hole with the Lone Dinosaur is he should have shown up in 2 and 11, except for the likely belief that the Lone Dinosaur is real, but more mortal. The scene overall is very good. It is cool seeing the lone dinosaur use his tail like a rope (Lone Ranger style) instead of a whip and the sharptooth head butting him. Also Frank Welker quit trying so hard later, but his acting is incredible. So much pain and fear in just speaking in roars.
We are introduced to Sarah’s nephews, Dinah and Dana. My family always thought they were fine characters who helped the plot without taking up much time, but I know the general online fan base hates them. Sarah is in charge of watching them. I guess at least one of her sisters did survive. Littlefoot really got into the story, and his dream about it is very funny, mainly for the sharptooth being horrified of him.
Again Frank Welker’s acting is terrific as he communicates pain in roar in a completely different way than last time. I am sure in Littlefoot’s dream he is picturing that as the sharptooth who killed his mother, and this is why he idolizes someone who can wipe out sharpteeth whenever needed.
After that it is shown to be Fall, which Mr. Threehorn seems to think means death, and he is mad they are playing with the falling tree stars. Grandpa defends them, which I am sure will have nothing to do with the theme later. They play a game, and it is mentioned Cera is always the bad guy. In 2 Spike did volunteer, so I guess she is exaggerating. In the game Littlefoot falls off a log and a longneck named Doc saves him. Until The Great Longneck Migration (10) many fans thought Doc was Littlefoot’s father. The part about Mr. Threehorn wanting him gone and Grandpa defending him seems to be insignificant, but again it adds to the theme about a hero in your own family, and sometimes that is helping another hero. After meeting Doc Littlefoot thinks he is the lone dinosaur. In one of the few so bad it’s good scenes at the same time. Cera gets stuck in a bubble, and Petrie saves her. While angry she tells her nieces to get lost, as tt gets to the main problem here. Many times it seems too much time is dedicated to showing their daily lives. Littlefoot sings the song “Lone Dinosaur.” It is considered a love it or hate it, and I am neutral. The songs here have a western theme similar to the sci-fi theme of 7. To give a breakdown Littlefoot thinks Doc is the lone dinosaur. Cera gets the others to doubt it saying Grandpa’s story was from a long time ago, and everyone from it is dead, but she then starts to doubt. They later realize Dinah and Dana left for Saurusrock.
I should probably be upset the tiny nibblings accidently escaped a sharptooth, but I felt that a one time deal was okay, if it was a threat every other time. Throughout the movie the characters are shown the same rocks three times. It helps bring the focus to the mood. First it is playful. Then it is mysterious, and the last one is later. The regular group arriving has too much filler, but it is nice seeing them talk about prehistoric redwood trees, and seeing them flee from the sharptooth. I also appreciate not using a T-Rex to give a different design. They escape the same way as in Scooby-Doo and the Cyberchase by using the thick trees. They find Saurusrock, and here is another problem. Littlefoot does nothing in getting the twins down, but seeing saurusrock up close makes the entire group a little more sure that he is the Lone Dinosaur. A tooth rock from it falls, and Grandpa earlier said it breaking would make bad luck befall The Great Valley. On the way back they are chased by the sharptoot, and this chase is really good. It ends with them crossing a log over a cliff. Contrary to what Cera said in 7 she is in the front and Spike is in the back with Littlefoot and Petrie saving him. They barely get him out in a slow dramatic scene and the sharptooth falls down the cliff.
Mr. Threehorn figures out where his great nieces were, and he is incredibly unhappy with Cera. The rest of them start to think its bad luck. When Ducky says “dinosaur” I always wonder if this is the only film in the series where someone besides the narrator says the word. In a contrast to earlier Littlefoot’s dream is now a nightmare. He is convinced it is bad luck. Ducky and Spike now believe after getting injured, and apparently leaves are the bandages. Petrie does not believe. Cera does not either, and they sing about it ignoring a volcanic eruption in the distance. I actually really enjoy this song. It has some good references to the first one. Spike singing is another good thing. Afterwards the best watering hole has dried up. It does mess with the drought in 3’s logic, but I never think of that after the movie is over, and it can be explained as them finding a new watering hole due to the last one nearly drying up. To add to this logic the third one happened well before the entire valley was explored.
Littlefoot asks Doc about bad luck. He believes and says to change what is possible and for everything else leave for greener pastures. It shows him not being a good fit for Littlefoot, which makes me think he was never written to be his dad. Then we get our main natural disaster of the film, a tornado. Cera gets the twins to safety, but Grandpa cannot find Littlefoot who gets saved by Doc. This is a slow dramatic scene, but the film does need more fast paced action. The faster parts of it are the best, which keep it from feeling too much like the log chase earlier.
While cleaning up Mr. Threehorn and the other dinosaurs minus Grandpa think Doc is bad luck. They discuss it while he is cleaning very well making it come off even worse. Grandpa defends him, and then Littlefoot comes in very angry. In a nice touch he calls him “The only one [hero] I ever met.” Most shows would have given away the ending by showing Grandpa upset right there, but this series waits a whole ten seconds to get a more subtle foreshadowing. Only Littlefoot really cares about him leaving due to the others knowing he would have anyway, so Littlefoot leaves alone. The rest of the group does eventually conclude he is right about them causing bad luck, and that it exists and only Grandpa is against the notion of luck.
Littlefoot then sings the best song in the film, “When You’re on Your Own.” It has a spiritual successor in 14. It captures both the fear and joy of being alone, and makes a change in him realizing he does not really want to do it. He finds the sharptooth from earlier, and he explains his plan to the audience as he does it, get tooth, put it on Saurusrock, and Doc can stay not knowing Doc is right then leaving since he is a wanderer. Littlefoot’s friends figure out what is going on and go to grandpa for help. When he climbs the rocks the mood is now tiring and unfamiliar, which is what Grandpa is. He has actually never been to Saurusrock, and he regrets telling them about it. Like 7, a lot of this film is dealing with your heroes.
There are several times it looks like there should be foreshadowing that the sharptooth is alive, which never comes. That makes is final reveal even scarier, and it wakes up when Littlefoot is inside its mouth. I earlier said this film had a better climax than 10, and I stick to it. Unlike the slower scenes from earlier this chase scene and fight is quick and dark. It includes Littlefoot escaping for…
The same sharptooth from the legend showing up? I love this ambiguity. A shadow then comes to the rescue, which Littlefoot thinks is Doc, but it is Grandpa. I have not praised the fight scenes much since ten, but this is great to see. Forget tail swings being the top weapon. Grandpa uses his tail to hold him still to head-butt him. Then the other sharptooth comes. This is great. Unlike 10, there are no longneck reinforcements waiting, and dark sharptooth uses the distraction to kick Grandpa to the ground, only for Doc to take out brown sharptooth with the same move The Lone Dinosaur used in the legend. After taking out dark sharptooth with a head-butt Grandpa and Doc fight them two versus two. This is great. No wonder we watched this so much.
With the sharpteeth defeated (likely dead) Doc leaves. Littlefoot tells him to stay near the valley in case they need a hero. “You already got a hero kid.” Doc says while looking at Grandpa (picking up Cera by the scruff of her neck?)
This does not hold up so well as an adult due to the filler, but it is the most memorable of the series. It has a great climax and ambiguity. I personally do not think Doc is The Lone Dinosaur by the way. This is great.
The new climax ranking is 6, 10, 7, 14, 11, 12, 8, 9, 13
The best songs are now 1. Very Important Creature (7) 2. Beyond the Mysterious Beyond (7) 3. Bestest friends (10) 24 “The Lesson (8) 5. “Family (8) 6. Adventuring (10). 7. flip, Flap, Fly (12). 8. How do You Know (13). 9. “On You’re Own” (6) 10. Chanson D’ Ennui (9).
The new running time order is 10 (85 minutes), 14 (82 minutes) 12/11 (81 minutes each), 6 (77 minutes) 13 (76 minutes), 9/8/7 (75 minutes each)
The new film rankings are 7, 6, 10, 8, 14, 12, 11, 9, 13. Despite being number 2 six was not considered for the top spot.